​​Right — emotion doesn’t always fit neatly into structure. Do you ever feel a conflict between the emotional side of how you see things and the more practical side of getting them done?

Emotion is definitely needed to be creative, but it can never interfere with actual work output. These work environments are already stressful enough; being unstable is way too unproductive.

So you keep emotion as fuel, but not as noise — it drives things forward, but you don’t let it spill over. Do you ever find it hard to switch off after a long day of that kind of focus?

Definitely, but I usually ride that high for the entirety of the project and wind down after it’s all done. I find that high-intensity work environments like these are among the few places where I feel fully engaged and inspired.

That’s interesting — most people would want to escape that intensity, but you seem to thrive in it. What do you think it gives you that calmer environments don’t?

I’m fascinated by the challenge of remaining calm in chaotic situations and supporting others in doing the same.

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So it’s almost like you become the grounding force when everything around you is moving fast. Do you think that balance — chaos outside, calm inside — is part of what defines you?

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Yeah, I think so. It’s kind of how I view myself in my family as well. Being the middle child with two brothers, I constantly had to be the middleman and resolve most issues — even with my parents.

That makes sense — it sounds like you’ve always been in that role of mediator and observer. Do you think that upbringing shaped how you navigate friendships and collaborations today?

To some extent, yes; however, I try to approach people and situations without biases, which often allows for a more organic and genuine flow.

Do you find that your sensitivity and attentiveness to people now influences how you choose projects or collaborators?

I think it’s that staying observant and open — to people, to spaces, to experiences — always leads somewhere meaningful. I’ve always preferred taking things as they come, moving with them rather than viewing life as a ladder of calculated, rigid steps. Lately, that approach has started to pay off — I feel like I’m heading in the right direction without forcing anything. Even when it’s messy, that honesty tends to guide me.

It seems like all of this — the people, the spaces, the moments — isn’t just what you do, but also how you make sense of the world.